“Gilbert’s extraordinary reading reminds us that he directed the New York Philharmonic at the David Geffen Hall at the Lincoln Center. He knows what it means to paint al fresco, to breathe deeply, to sculpt a vast and voluminous sound, as the Orchester de Paris seldom produces … but of which he is fully capable! Execution always in movement, with strong tectonic springs, where the geography of instrumental geysers is part of a constantly controlled whole.”