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Alan Gilbert returns to Berlin Philharmonic, Leipzig Gewandhaus, & La Scala (October 2016)
Alan Gilbert in 2016-17: farewell season at NY Phil; returns to top European orchestras (September 2016)
Tomorrow (Aug 5): Alan Gilbert conducts Messaien's "Canyons" on new recording (August 2016)
Alan Gilbert: new honors on heels of triumphant LSO debut (April 2016)
This spring, Alan Gilbert makes LSO debut & leads premieres in 2nd NY PHIL BIENNIAL (April 2016)
This winter Alan Gilbert celebrates Sibelius on three continents (January 2016)
Alan Gilbert leads four major European orchestras this fall, including two debuts (November 2015)
Alan Gilbert: 7th season at NY Phil, plus 4 major European debuts in 2015-16 (September 2015)
Alan Gilbert: from NYC to Shanghai with New York Phil; Mostly Mozart debut; Santa Fe residency (June 2015)
Alan Gilbert leads NYPO in Eötvös U.S. premiere this week, "Joan of Arc at the Stake," and more (May 2015)
Alan Gilbert takes New York Philharmonic on EUROPE / SPRING 2015 tour (April 16–May 1) (April 2015)
Alan Gilbert's spring at NY Phil: premieres by Adams & Escaich; Barnatan's concerto debut (March 2015)
Alan Gilbert launches New Year with NY Phil, Silk Road Ensemble, & Metropolitan Opera (January 2015)
Alan Gilbert returns to Germany for concerts with Berlin Philharmonic and more this fall (November 2014)
Alan Gilbert in 2014-15: Gewandhaus tour, 6th season at helm of NY Philharmonic, and more (August 2014)
Alan Gilbert launches first NY PHIL BIENNIAL (May 28–June 7) and much more this spring (April 2014)
Alan Gilbert leads NY Philharmonic in NY and Asia; guest conducts Berlin Philharmonic (December 2013)
Alan Gilbert guest conducts Munich Philharmonic (Oct 31–Nov 3) & NDR Symphony (Nov 7–10) (October 2013)
Alan Gilbert launches fifth season at helm of New York Philharmonic (August 2013)
Alan Gilbert rounds out spring season at NY Phil with "Gilbert's Playlist" and more (May 2013)
Gilbert returns to Germany to lead the Bavarian Radio Symphony (April 2013)
Alan Gilbert's programming enriches New York Philharmonic's 2013-14 season (January 2013)
Alan Gilbert leads BSO & New York Philharmonic, makes Leipzig Gewandhaus debut (January 2013)
Alan Gilbert leads Shanghai Symphony Orchestra over New Year in Shanghai (December 2012)
Alan Gilbert's contract with NY Philharmonic extended through 2016-17 season (October 2012)
Alan Gilbert discusses his fall 2012 highlights (September 2012)
Alan Gilbert launches fourth season at NY Phil in September (September 2012)
Alan Gilbert leads NY Phil at Bravo! Vail Valley Music Festival this week (July 2012)
Alan Gilbert and NY Phil: May/June 2012 highlights (May 2012)
Alan Gilbert conducts Wagner & Mahler in Stockholm this month; more (April 2012)
Alan Gilbert and NY Phil tour Europe, Feb 2 - 18 (February 2012)
Alan Gilbert's Munich Philharmonic debut highlights fall guest conducting dates (October 2011)
Alan Gilbert's adventurous new season: 2011-12 highlights (September 2011)
Alan Gilbert and NY Phil in A Concert for New York Sept. 10
Alan Gilbert conducts Janácek's "The Cunning Little Vixen" (June 2011)
Alan Gilbert takes NY Phil to Europe for spring tour (May 2011)
Alan Gilbert conducts Mahler 9 with Juilliard Orchestra on Friday, April 15 (Apr 2011)
Alan Gilbert: April 2011 highlights (Mar 2011)
Alan Gilbert heads to Europe (Feb 2011)
Alan Gilbert named Director of Conducting and Orchestral Studies at Juilliard (Jan 2011)
Alan Gilbert's winter 2011 concerts (Jan 2011)
Alan Gilbert's November 2010 concerts (Nov 2010)
Alan Gilbert discusses European tour (Oct 2010)
Alan Gilbert conducts Magnus Lindberg's Kraft (Oct 2010)
Alan Gilbert conducts Mahler's Sixth Symphony (Sep 2010)
Alan Gilbert: 2010-11 season (Sep 2010)
Alan Gilbert: summer 2010 (Jul 2010)
Alan Gilbert's June Concerts with NY Philharmonic (Jun 2010)
Alan Gilbert conducts Ligeti's Le Grand Macabre (May 2010)
Alan Gilbert spring 2010 highlights (Apr 2010)
Alan Gilbert and NY Phil: EUROPE/WINTER 2010 (Jan 2010)
Alan Gilbert in 2016-17: Farewell Season Consolidates His Legacy at New York Philharmonic; Plus Returns to Berlin Philharmonic, Leipzig Gewandhaus, and Other Top European Orchestras

"The Gilbert era...has been the most intellectually lively in the recent history of the orchestra." – New Yorker

In seven years as Music Director of the New York Philharmonic, Alan Gilbert has continued to evolve the role of the modern orchestra; as the New York Times put it, "helping to change the template for what an American orchestra can be." The eighth and final season of Gilbert's tenure, which also marks the Philharmonic's 175th anniversary season, not only honors their shared hometown, but also celebrates this extraordinary legacy. Thus world premieres of new Philharmonic commissions rub shoulders with iconic masterworks and an adventurous opera performance; artistic residencies continue to forge and nurture meaningful musical partnerships; innovative programming explores the ways music can foster global community and positive change; and the conductor and orchestra once again take their vision overseas on their seventh and final European tour together. Meanwhile, as a perennially popular guest of the world's foremost ensembles, Gilbert returns to the podiums of the Berlin Philharmonic, Munich Philharmonic, Leipzig Gewandhaus Orchestra, Orchestra of the Lucerne Festival Academy, and Rome's Accademia Nazionale di Santa Cecilia, besides making his staged operatic debut at La Scala. Once again, the season looks to showcase the "unflashy radicalism" with which the conductor has consistently shown himself to be "a force of permanent revolution" (New York magazine).

As Gilbert explains:
"The New York Philharmonic has always been and will always be my musical home. My final season as Music Director – and the Philharmonic's 175th anniversary season – will present music that the orchestra and I love, and will celebrate New York City, our shared hometown. Looking back on my tenure, I am particularly proud that the projects and collaborative approach I introduced in my first season are now woven into the fabric of the Philharmonic. I will always treasure the sense of warmth and family with the musicians of the orchestra: there's nothing better than to share the stage with friends. My final weeks encapsulate some of my musical aspirations, with the final subscription program examining a question I see as crucial to the future: how music can be a positive force in a world faced with crises. It speaks in part to what I hope I have accomplished at this great orchestra – to make music an essential part of this city, our world, and people's lives."
Farewell season at the New York Philharmonic
To launch his farewell season at the Philharmonic, Gilbert leads the Opening Gala Concert (Sep 21) that pays tribute to their native city. The New York premiere of John Corigliano's Stomp, for Orchestra shares the program with two key New York works of the past: Gershwin's Concerto in F, which the Philharmonic commissioned and premiered, with American jazz virtuoso Aaron Diehl, and Dvorák's Symphony No. 9, "From the New World," which the Philharmonic premiered in 1893. This work forms the centerpiece of the orchestra's season-long New World Initiative, which seeks to make the beloved symphony a cultural touchstone for as many New Yorkers as possible. By way of an upbeat to the new season, for the fourth edition of THE ART OF THE SCORE: Film Week at the Philharmonic, Gilbert and the Philharmonic – the orchestra that anchored the film's original soundtrack recording – accompany a screening of Woody Allen's Manhattan (Sep 16 & 17) with the first live-to-film performance of its classic Gershwin score.

The Music Director's commitment to contemporary composition is one of the defining hallmarks of his tenure. Marking the first in The New York Commissions – a trio of works commissioned from composers based in the city, writing on New York themes, to be premiered over three seasons – he conducts the world premiere of a new work by Pulitzer Prize-winner Wynton Marsalis, the Managing & Artistic Director of Jazz at Lincoln Center, which joins the Philharmonic in the performances (Dec 28, 29, 30; Jan 3). Gilbert also leads world premiere performances of a Philharmonic-commissioned violin concerto by award-winning Soviet-Russian-born composer Lera Auerbach (March 1–3) and a Philharmonic co-commissioned piano concerto by HK Gruber (Jan 5–7), the Austrian composer whose comic opera Gloria – A Pig Tale was, as staged under Gilbert's leadership by Giants Are Small, a highlight of the inaugural NY PHIL BIENNIAL. The two concerto soloists are violinist Leonidas Kavakos and pianist Emanuel Ax, the present and 2012-13 incumbents of the Philharmonic's Mary and James G. Wallach Artist-in-Residence position.

This position, together with The Marie-Josée Kravis Composer-in-Residence, was one of the initiatives launched by Gilbert in his inaugural season as Music Director. It was also he who subsequently introduced the Kravis Emerging Composer and Artist-in-Association positions, and all four partnerships continue to flourish. In the coming season, the second of Esa-Pekka Salonen's term as Composer-in-Residence, Gilbert conducts the New York premiere of the great Finn's Cello Concerto, a Philharmonic co-commission, with Yo-Yo Ma (March 15–18), who rejoins Gilbert and the orchestra to reprise the concerto on their EUROPE / SPRING 2017 tour (March 23–April 7). To celebrate these partnerships, the Music Director also leads the New York premieres of Salonen's Wing on Wing and Aeriality by Kravis Emerging Composer Anna Thorvaldsdottir alongside Kavakos's account of the Brahms Violin Concerto (May 19, 20 & 23). Other artists of note who will appear with the orchestra under his direction this season include violinist Lisa Batiashvili, Philharmonic Principal Clarinet Anthony McGill, pianists Stephen Hough and Lang Lang, mezzo-soprano Joyce DiDonato, and 2015-16 Artist-in-Residence bass-baritone Eric Owens. Together with soprano Renée Fleming, pianist Yefim Bronfman, and violinists Joshua Bell, Pamela Frank and Philharmonic Concertmaster Frank Huang, Ax and Batiashvili are among the artistic luminaries who come together for a festive program to celebrate Gilbert's 50th birthday, under his own leadership (Feb 23).

Other highlights of the conductor's Philharmonic season further illustrate the breadth of programming that has consistently characterized his directorship. Key concerts include complete performances of Wagner's Das Rheingold, with Eric Owens and Jamie Barton heading a star-studded cast (June 1, 3 & 6); a tribute to new septuagenarian John Adams, with whose Doctor Atomic the Music Director scored his first Grammy Award (March 9–11); a creative pairing of Beethoven's Ninth with Schoenberg's A Survivor from Warsaw (May 3–6 & 9); seasonal performances of Handel's Messiah, in which Gilbert's "decisive phrasing, generally brisk pacing and insistence on crystalline textures" previously impressed the New York Times as "magical" (Dec 13–17); and accounts of Mahler's Fourth Symphony on both sides of the Atlantic, to complete his full Philharmonic cycle of the composer's symphonies (March 1–4; March 23–April 7). The upcoming "EUROPE / SPRING 2017" tour takes Gilbert and the orchestra back to Luxembourg, Antwerp, Düsseldorf, Essen, Budapest, Vienna, Hamburg, and Copenhagen, crowned by their third residency at London's Barbican, in repertoire showcasing such season highlights as Salonen's Cello Concerto, Mahler's Fourth, and the music of John Adams (March 23–April 7). Making a fitting end to the 2016-17 season and indeed to the Music Director's eight-year tenure, their Season Finale program features "guest artists from around the world in performances that highlight important international issues and foster the idea of a global community that shares a common humanity." (June 8–10).

Guest conducting Europe's top orchestras
Gilbert remains in high demand with the world's foremost orchestras. At Milan's La Scala, he helps premiere a new production of Porgy and Bess by stage director Philipp Harnoncourt, starring Morris Robinson and Kristin Lewis, which marks the conductor's first staged opera with the company and the first time that the original version of Gershwin's score will be heard there in its entirety (Nov 13–23). As a regular guest of the Berlin Philharmonic, Gilbert leads a program of Tchaikovsky, Bartók, and John Adams, the orchestra's current composer-in-residence (Dec 2–4). After joining violinist Anne-Sophie Mutter for a program exploring the roots of Modernism at the Lucerne Festival (Sep 4), Gilbert returns to the Leipzig Gewandhaus Orchestra with a pairing of Bartók's Bluebeard's Castle and Beethoven's Second Piano Concerto, followed by a special "talk and performance" event for which he and soloist Inon Barnatan – the Israeli pianist now launching his third and final season as the New York Philharmonic's inaugural Artist-in-Association – join German TV personality Malte Arkona (Oct 20–22). In the New Year, the conductor resumes the podiums of the Munich Philharmonic (Feb 2–5), Royal Concertgebouw (Feb 8–11), and Accademia Nazionale di Santa Cecilia (Feb 16–18) orchestras, where highlights include the world premiere of a new Concertgebouw commission by Joey Roukens, and a Rome rendition of The Ring Synthesis, Gilbert's own arrangement of selections from Wagner's Ring Cycle.

2015-16 highlights at the Philharmonic and beyond
These engagements follow a string of fresh triumphs for the conductor. At the New York Philharmonic, he launched 2015-16 with season-opening events at Lincoln Center's newly renamed David Geffen Hall, where his leadership of Strauss's Ein Heldenleben drew "pyrotechnic pleasures and swashbuckling sounds" (New York magazine) from the orchestra, and Carnegie Hall, where their program – featuring an "incandescent performance" (New York Times) of Ravel's Daphnis et Chloé, Suite No. 2 – was selected as one of the "Top Ten of 2015" (New York Classical Review). Philharmonic highlights went on to include a "white-hot" (New York Times) account of Stravinsky's Rite of Spring; widely celebrated commemorations of the Sibelius sesquicentennial; and the second NY PHIL BIENNIAL, the kaleidoscopic, citywide new-music immersion at which he led premieres by William Bolcom, John Corigliano, Per Nørgård, and the late Steven Stucky, as well as a three-part Ligeti series at the Metropolitan Musuem of Art. As the New York Times wrote:
"Few of Alan Gilbert's initiatives as the New York Philharmonic's music director have been as ambitious, and as successful, as the NY Phil Biennial. It's not just an extended immersion in contemporary music – that would be admirable enough – but also an endeavor that connects the orchestra with a range of spaces and cooperating organizations."
Under his curation, the festival featured Gerald Barry's operatic adaptation of The Importance of Being Earnest, prompting the Wall Street Journal to observe: "We can thank the New York Philharmonic and its soon-to-depart music director, Alan Gilbert, for bringing some of the most imaginative opera events of recent years to New York." Gilbert also led members of the Philharmonic's brass section at the University of Michigan's homecoming football game, named one of the best five halftime shows of 2015 (NCAA), and directed the orchestra's 100th-birthday gala tribute to Frank Sinatra, with such household names as Christina Aguilera, Bernadette Peters, Sting, and Seth MacFarlane. This was subsequently broadcast nationwide on PBS's Live From Lincoln Center, scoring the conductor his second Emmy Award nomination for Best Musical Direction.

In light of his impending departure from the orchestra, accolades are continuing to pour in. In the New Yorker, Alex Ross declared:
"Gilbert's record with new music is unambiguously formidable, rivaling that of Leonard Bernstein and Pierre Boulez, the two great visionaries in Philharmonic history. Indeed, Gilbert may have been a more persuasive advocate than either of them, since, not being a composer himself, he could not be accused of serving his own agenda."
"I already know that I'll greatly miss the specific spirit of innovation that he has brought to my hometown orchestra," wrote Seth Colter Walls in the Guardian. "The seemingly selfless, profoundly gifted maestro...will be missed," agreed Martin Bernheimer in the Financial Times. As Alex Ross put it, "The Gilbert era...has been the most intellectually lively in the recent history of the orchestra."

Beyond the Philharmonic, last season saw Gilbert make guest conducting debuts with four eminent European ensembles: Milan's La Scala Orchestra, the Staatskapelle Dresden, the Academy of St. Martin in the Fields, and the London Symphony Orchestra, after which the Guardian ran its review under the headline: "New York maestro hands audience an adrenaline rush." He returned to Leipzig's Gewandhaus Orchestra, Paris's Orchestre Philharmonique de Radio France, Tokyo's Metropolitan Symphony, Hamburg's NDR Symphony, and the Cleveland Orchestra, where he gave "the kind of searing, well-paced, and deeply organic performance" that "demands a cultivated relationship" (Plain-Dealer). Likewise, his leadership of George Benjamin's opera Written on Skin at the Mostly Mozart Festival was named one of the "Best Classical Performances of 2015" by both New York magazine and the New York Times, which praised the "surging and nuanced performance" he drew from the Mahler Chamber Orchestra.

In addition to his Emmy nomination, Gilbert's achievements were recognized with two new awards. He received an honorary doctorate from Westminster Choir College, where he served as the 2016 commencement speaker, and was named an Officier de l'Ordre des Arts et des Lettres by the French government. As the subject of an episode of PBS TV's celebrated Charlie Rose show, he eloquently described his vision for the evolution of the orchestra in contemporary society and his own plans for the future. Click here to see Gilbert's appearance on Charlie Rose.

Alan Gilbert: 2016-17 engagements
Except where noted, the New York Philharmonic concerts listed below take place at David Geffen Hall in New York, NY.

Sep 4
Lucerne, Switzerland
Lucerne Festival Orchestra
Berg: Violin Concerto To the memory of an angel (with Anne-Sophie Mutter, violin)
Norbert Moret: En rêve, Concerto for Violin and Chamber Orchestra (with Anne-Sophie Mutter, violin)
Schoenberg: Pelleas und Melisande, Op. 5

Sep 16 & 17
New York Philharmonic
Gershwin: Manhattan (world premiere of complete film with live orchestral accompaniment)

Sep 21
New York Philharmonic
Season Opening Gala Concert
John Corigliano: Stomp, for Orchestra (New York premiere)
Gershwin: Concerto in F (with Aaron Diehl, piano)
Dvor?ák: Symphony No. 9, "From the New World"

Sep 22, 23 & 24
New York Philharmonic
Tchaikovsky: Violin Concerto (with Lisa Batiashvili, violin)
Dvor?ák: Symphony No. 9, "From the New World"

Sep 27
New York Philharmonic
John Corigliano: Stomp, for Orchestra
Mozart: Clarinet Concerto (with Anthony McGill, clarinet)
Dvor?ák: Symphony No. 9, "From the New World"

Sep 29, 30 & Oct 1
New York Philharmonic
Berlioz: Les nuits d'été (with Magdalena Kožená, mezzo-soprano)
Rimsky-Korsakov: Scheherazade

Oct 5
New York Philharmonic
Bartók: Music for Strings, Percussion, and Celesta
Ligeti: Mysteries of the Macabre for Trumpet and Orchestra (with Christopher Martin, trumpet)
Beethoven: Symphony No. 5

Oct 6, 7, & 8
New York Philharmonic
Ligeti: Mysteries of the Macabre for Trumpet and Orchestra (with Christopher Martin, trumpet)
Beethoven: Piano Concerto No. 4 (with Lang Lang, piano)
Bartók: Music for Strings, Percussion, and Celesta

Oct 20 & 21
Leipzig, Germany
Leipzig Gewandhaus Orchestra
Beethoven: Piano Concerto No. 2 (with Inon Barnatan, piano)
Bartók: Bluebeard's Castle (with Michelle DeYoung, mezzo-soprano; Mikhail Petrenko, baritone)

Oct 22
Leipzig, Germany
Leipzig Gewandhaus Orchestra
Beethoven: Piano Concerto No. 2 (with Inon Barnatan, piano)

Nov 13, 15, 17, 18, 20, 22, & 23
Milan, Italy
La Scala
Gershwin: Porgy and Bess

Dec 2, 3 & 4
Berlin, Germany
Berlin Philharmonic
John Adams: Short Ride in a Fast Machine
Bartók: Violin Concerto No. 2 (with Frank Peter Zimmermann, violin)
John Adams: Lollapalooza for orchestra
Tchaikovsky: Symphony No. 4

Dec 13, 14, 15, 16 &17
New York Philharmonic
Handel: Messiah (with Christina Landshamer, soprano; Sasha Cooke, mezzo-soprano; Matthew Polenzani, tenor; John Relyea, bass-baritone; Concert Chorale of New York/James Bagwell, director)

Dec 28, 29, 30 & Jan 3
New York Philharmonic
Copland: Quiet City (Christopher Martin, trumpet)
William Bolcom: Trombone Concerto (New York Philharmonic co-commission with the Shanghai Symphony Orchestra; with Joseph Alessi, trombone)
Wynton Marsalis: new work (world premiere of New York Philharmonic commission; with Jazz at Lincoln Center Orchestra and Wynton Marsalis)

Dec 31
New York Philharmonic
New Year's Eve Concert
An evening of American classics, including works by Rodgers & Hammerstein and others (with Joyce DiDonato, mezzo-soprano)

Jan 5, 6 & 7
New York Philharmonic
Weill: Little Threepenny Music for Wind Orchestra
HK Gruber: Piano Concerto (world premiere of New York Philharmonic co-commission with the Berlin Philharmonic, Royal Concertgebouw, and Royal Stockholm Philharmonic orchestras; with Emanuel Ax, piano)
Schubert: Symphony No. 2

Jan 11, 12, 13 & 14
New York Philharmonic
Beethoven: Piano Concerto No. 5, "Emperor" (with Stephen Hough, piano)
Brahms: Symphony No. 3

Feb 2, 3, 4 & 5
Munich, Germany
Munich Philharmonic
Mantovani: Le Cycle des gris
Lalo: Violin Concerto No. 2 in D minor, Op. 21, "Symphonie espagnole" (with Augustin Hadelich, violin)
Ravel: Daphnis et Chloé Suites, Nos. 1 & 2

Feb 8, 9 & 11
Amsterdam, Netherlands
Royal Concertgebouw Orchestra
Joey Roukens: commissioned work
Bernstein: Serenade (with Liviu Prunaru, violin)
Sibelius: Symphony No. 4

Feb 16, 17 & 18
Rome, Italy
Accademia Nazionale di Santa Cecilia
Adams/Liszt: The Black Gondola
Martin?: Cello Concerto No. 1 (with Sol Gabetta, cello)
Wagner (arr. Alan Gilbert): A Ring Synthesis

Feb 23
New York Philharmonic
Alan's 50th Birthday Celebration
Program: TBA (with Renée Fleming, soprano; Lisa Batiashvili, Joshua Bell, Pamela Frank, and Frank Huang, violins; Emanuel Ax and Yefim Bronfman, piano)

March 1, 2 & 3
New York Philharmonic
Lera Auerbach: Violin Concerto No. 4 (world premiere of New York Philharmonic commission; with Leonidas Kavakos, violin)
Mahler: Symphony No. 4 (with Christina Landshamer, soprano)

March 4
New York Philharmonic
Bartók: Music for Strings, Percussion, and Celesta
Mahler: Symphony No. 4 (with Christina Landshamer, soprano)

March 9, 10 & 11
New York Philharmonic
"John Adams' 70th Birthday Season"
John Adams: Absolute Jest (with Frank Huang and Sheryl Staples, violin; Cynthia Phelps, viola; Carter Brey, cello)
John Adams: Harmonielehre

March 15, 16, 17 & 18
New York Philharmonic
John Adams: The Chairman Dances (Foxtrot for Orchestra)
Esa-Pekka Salonen: Cello Concerto (New York premiere of New York Philharmonic co-commission with Chicago Symphony Orchestra, Barbican Centre, and Elbphilharmonie Hamburg; with Yo-Yo Ma, cello)
Berlioz: Symphonie fantastique

March 23–April 7
New York Philharmonic
Antwerp, Luxembourg, Düsseldorf, Essen, Budapest, Vienna, London, Hamburg, Copenhagen
Repertoire to include:
Esa-Pekka Salonen: Cello Concerto (with Yo-Yo Ma)
Mahler: Symphony No. 4
Bartók: Music for Strings, Percussion, and Celesta
John Adams: Harmonielehre, Absolute Jest, and The Chairman Dances (Foxtrot for Orchestra)
Prokofiev: Violin Concerto No. 1 (with Frank Peter Zimmermann, violin)

May 3, 4, 5, 6 & 9
New York Philharmonic
Schoenberg: A Survivor from Warsaw
Beethoven: Symphony No. 9 (with Camilla Tilling, soprano; Daniela Mack, mezzo-soprano; Joseph Kaiser, tenor; Eric Owens, bass-baritone; Westminster Symphonic Choir/Joe Miller, director)

May 19, 20 & 23
New York Philharmonic
Brahms: Violin Concerto (with Leonidas Kavakos, violin)
Anna Thorvaldsdottir: Aeriality (New York premiere)
Esa-Pekka Salonen: Wing on Wing (New York premiere; with Anu Komsi and Piia Komsi, sopranos)

May 20
New York Philharmonic
Hummel: Piano Quartet in D minor (with musicians from the New York Philharmonic)
Brahms: Violin Concerto (with Leonidas Kavakos, violin)

May 29
New York Philharmonic
Annual Free Memorial Day Concert
The Cathedral Church of Saint John the Divine
Mahler: Symphony No. 4

June 1, 3 & 6
New York Philharmonic
Wagner: Das Rheingold (complete, in concert)
Eric Owens, bass-baritone (Wotan)
Jamie Barton, mezzo-soprano (Fricka)
Christopher Purves, baritone (Alberich)
Russell Thomas, tenor (Loge)
Kelley O'Connor, mezzo-soprano (Erda)
Morris Robinson, bass (Fasolt)
Stephen Milling, bass (Fafner)
Rachel Willis-Sørensen, soprano (Freia)
Brian Jagd, tenor (Froh)
Christian Van Horn, bass-baritone (Donner)
Peter Bronder, tenor (Mime)
Jennifer Zetlan, soprano (Woglinde)
Jennifer Johnson Cano, mezzo-soprano (Wellgunde)
Tamara Mumford, mezzo-soprano (Flosshilde)

June 8, 9 & 10
New York Philharmonic
Season Finale
Program features "guest artists from around the world in performances that highlight important international issues and foster the idea of a global community that shares a common humanity."

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© 21C Media Group, September 2016